from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
oslo-based, icelandic producer, b.g. baarregaard, returns to whiskey disco for his third solo ep, disco inn. the title song features a talented roster of icelandic-via-oslo musicians. inga Þyri coos blissful harmonies atop a deep groove comprised of electric guitar chucks by sigurður guðmundsson and organ and bass by baarregaard. this deep groove will work those balearic moments to-a-tee. on the reverse, undercover lover exposes rnb style vocals, delayed claps and bass groove on the outside cut and country style guitar sitting comfortably next to 303 acid on the inside for kaffibarinn, an homage to the legendary reykjavik music venue.

ltd nice price action !!
sound exists to be stolen, cut up, re-arranged, and turned on its head. good sound, once produced, should be preserved for proper arrangement. docile #21 is a collection of elements that have been captured from unique sources and fused into fluid creations. environment and progress of time are catalysts for a creation to form a process. dociles nameless and faceless process works to liberate a new sound and describe its’ own natural pattern. docile connects to the random to pull out patterns, those patterns can be honed down to construct a logical but abstract funk. mistakes are made and processed and reworked into a melody. nonsensical, indiscriminant, drunkin funk turns to soulful harmony with presence and conviction. immature tantrums and rambunchous crunching mask a bi-polar need for smooth rides with snacks and naps.

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release number 6 combines the efforts of all boston based artists. a concept that we will continue to push throughout the life of the label. the main idea behind this is to offer a home for new and upcoming boston artists. this is a four cut e.p. with plenty of juice. artists premiering on this label include bon johnson, nightriders, hot lunch, and island 9.

after releases from terriers and new jackson, major problems welcomes the compassion crew, who returns with another session of impeccably sourced cut-and-paste house music. cc’s ‘masters of the gentlemanly art’ is proto-house/nu-beat-ish bruiser, while his ‘panic chicago’ version gets lost in the groove. leisure connection walk the night with a memorable 10-minute-plus psych/dub/house remix. mastered and cut at calyx, this is a vinyl-only release. artwork from simon landrein. support from hunee, new jackson, beats in space, serge, marcel hesse

mark broom aka the king of snakes returns with this killer cut on edit select. edit select himself steps up for a deep reworking of the original on the flipside.

nice price deal !!! flight to the moon is the result of a year-long journey by dutch producers dimi angelis and jeroen search. it is both their first album as a&s and their first full-length record together. like the explorers whose journey is musically documented by flight to the moon, angélis and search set out to discover where this record would lead them. throughout the course of twenty tracks flight to the moon tells the story of a group of spacetravelers. it chronicles their ascent into the vast unknown and their uncovering of things as of yet unrevealed. what will they find? and what will their findings tell them? the tracks on the album – which they will release on their own a&s imprint – are diverse yet homogenous. they meander, transferring a sense of dangerous and potentially deadly encounter at one moment and then capturing a feeling of exciting amazement at another. most crucially, flight to the moon is more than just a collection of techno tracks. in fact, to think of it in cut-out genres is to limit the scope of the album’s musical offerings. search and angélis aimed to shape a record that would defy their own notion of techno. that journey can now be heard by all.

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>099< is a phat two track ep of silky electronic dance music !! the main cut is a darling hypnotic track that becomes more addictive each time. the bleeps multiply before making room for the master hit. the mood continues to climb and feet shall stick to floors

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installment three from senor duque. grab onto the building tech b side highlighted by obamas acceptance speech-finished off with a bit of signature acid. house and tech house heads will eat up the a1 cut which takes us deep. ambient natures for the inner a side track

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inspired by the grotesque glamour of the créme de la créme, the opulent lives of hollywood wives and the hairstyles of the rich and famous, brooklyn-based duo ladycrème has been producing and dj ing in new york city for 5 years. ladycrème uses vintage production methods to combine their diverse influences, ranging from classic acid-house to italo-disco, with a modern electro sound that burns and bristles your scalp like hydrogen peroxide. this record has been mastered by the one of the all-time greats, herb powers. the man responsible for cutting a respectable share of classic prelude and west end pressings, as well as tons of other disco, house, funk and hip-hop classics over the years and cut by one of the hardest working techno dj/producers tim xavier

brilliant new balearic house ep from copenhagens music for dreams label. the opening track came to life when two danish djs - mads dalholt and zimino - made their own remixed version of al jawalas *go east* for playing out. mfd label head kenneth bager heard it, loved it, tested it out on his coma club dancefloor and it drove the crowd nuts with people literally screaming for more rewinds of this pumping horn-blasting oriental in-your-face party track. if you are a fan of acid arab and 80s leo mas/afredo style amnesia dancefloor madness then this one is for you. on side b we have the debut track from mads dalholt and partner landers - *zengo* is a sexy uplifting house groover with spacey keyboards, afro vocal hooks and a lively sax. followed by a second landers/dalholt cut, the slower more balearic *aelba* is built around a simple melodic guitar riff with some mellow xylophone bringing a warm sunshine feel. great debut for the young danes.

all-day and all-night cultural entertainment center and athenian place-to-be, six d.o.g.s, has launched its brand new label, six d.o.g.s records. its first release under the gilda series, which will be focusing on contemporary, club-oriented electronic music, is lemos *kay&#305,,,,kç&#305,,,,*. lemos, the wonder-boy of greek underground dance scene, delivers the goods with a cover of *kaykci*, a greek (with turkish-like aroma) folk song, originally written in 1948. the song is a staple of traditional greek music, having been covered by numerous artists through the years. lemos nine minute long take features the beautiful vocals of folk-jazz singer, natasha mindrinou. in typical lemos style, the track is a dubby techno - house trip to the stars, retaining the core of the original song, basic melodies and lyrics. this leads-up to a deep, hypnotic but epic, huge cut that will surely move after hours dancefloors all-over. a remix by kreon, the greek maitre of contemporary minimal techno. he takes the original parts of kay&#305,,,,kç&#305,,,, under a low key bass carpet that extends to 12 minutes. stripped down, with emphasis on crystal clear rhythmics and in full swing, the track takes a whole new meaning. smartly placed vocals that fit in the after-hours aura and a hands-up moment towards the end, kreon brings the heat akin to the sound of ricardo villalobos and rpr.

-i want them to hate me for putting this out- says jackmaster hater, referring to tracks once possessed by a mere handful of chicago house djs. these recordings, traded secretly on tape, were exclusive to the likes of ron hardy and frankie knuckles. here

the second album from kiesza as double 12 inch vinyl in gatefold sleeve.

cowboy rhythmbox are nathan gregory wilkins and richard x, latest signings to phantasy. coming together to create their own singular strain of music for dancing, they draw on a collective love of outsider house, bargain bin cut-outs, hard drive debris, rudimentary jack trax, obscure tv themes, euro disco, ebm, detroit techno, the smith & wesson model 3 and horses. we got the box brings to life the playground game of repeat-a-word-until-it-sounds-weird, pushing and pulling a disembodied voice by milliseconds to create a hypnotic mind episode. on the flip rattle takes off where their debut track shake left off, a devastating barrage of industrial drums and frenetic chants. the vinyl ep comes with download code.

cassegrain continue their empowering run of techno electronics with *centres of distraction*, their debut album on prologue. leading us on a 10-track expedition into a wilderness of rugged, challenging sonics, the album marks the production duos development from adventurous new-bloods to fully fledged techno explorers.

deluxe custom sleeve the 12? comes in a special die cut sleeve (cut out no. triangle) and is limited to 450 copies.

after a successful debut release with untitled gear, croatian label continues their journey through fields and forests. still exploring the russian federation, only this time they hired udacha s honcho and main protagonist a5. record kicks off with fantasy. a dreamy kalimba piece which eventually evolves into a deep house track and could be described as a soundtrack from your latest dream while raw abstractionism doesnt disappoint its name. on the flip side we are introduced to the afro banger torri wowo which feels almost like driving through safari on a truck. acoustic cut calms things down and brings us to an end with a clear message.

• nine inch nails member and hospital productions artist alessandro cortini debuts on avian !
• comes in a die-cut house jacket with title specific inner sleeve
• big support from the usual avian fans...
avian s 16th release is coming from alessandro cortini under the name skarn. best known for his work with trent reznor both in nine inch nails and how to destroy angels, the italian producer just recently made his debut on hospital productions with the hugely acclaimed * sonno* lp. his new project skarn sees cortini take a turn into more technoid driving soundscapes, which makes shifteds avian label the perfect fit for it. the ep features three tube driven noise workouts with a precise minimalism and a hypnotic drum pattern, which leads the way through the release.

returning to his original home for this ep, it represents yet another left turn on the ukkonen musical path. the man himself says: *once again i want to change direction a little, whilst still keeping all the things i love in there - the polyrhythms, phasing loops, ambiguous timings and so on* however this set sees the tempo looser than before. we are not sure if post-techno actually ever happened, but maybe post-discotronica is, er, in the post. anyway, we liked the tracks so much that we once again went the extra mile with the physical product - a clear and white marbled thing of beauty, cut to 10 inch size in a 12 inch pressing.

delicate machine grooves from aniara affiliate henrik bergqvist. boss004 comes with two original compositions and a tribute cover track. a1 caballo blanco is a spirited machine cut with classic mpc bounce and a brash melodic line, sure to make confounding impact on dancefloors. following on, the beautiful skyrunner provides soothing morning glow with abiding soundscapes and dainty yet driven percussion. as a bonus comes losing control (lost in translation mix). a faithfully reproduced homage to daniel bells classic, reforming the composition with a swedish vocal loop and further development to the paradigmatic groove.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
rabo & snob eschew the worn rhythms of disco injecting a heretofore unheard blend of middle-eastern rhythm mixed with western influence. equal parts studio musician and disco academia, this tel aviv duo know their history and can see the future. here we come is an appropriate maxim on their maiden vinyl release. these two weave a groove combining original and sampled elements to create a three track ep, each cut as strong as the next.

the first of three lps leading up to the duo s debut album, entitled you go girl. this first release features a sprawling 13 minute collaborative work with dj sprinkles and a new track with gry bagoien, as well as a dub cut of frank & tony s -faded

chaise longue aka slikk tim delivers a fantastic deep cut with early deep house sound reminiscence of early guidance recordings, beautiful keys, deep baseline and a live guitar. bittersuite - straight up late night house music, deep and emotional pads with amazing keys, perfect track to complete the side side b delivers a exceptional track by a secret artist - not much needs to be said, just check the track & your understand what its all about. js gruvs is new guy from the french department, his track is deep groovy late night grover, accompanied by soulful keys and old school baseline, quality track - deep for the heads

time now for something a little different! farley jackmaster keiths x-rated jackmaster dick alias is in effect right here with the * sensuous woman goes disco*, essentially a cut-up of jesse saunders * funk u up* and the comedian rudy ray moores > the sensuous black woman meets the sensuous black man< this record takes no prisoners! a solid proto-ghetto house classic it is not for the faint hearted or the easily offended! take heed though, it will make you dance!
re-mastered, re-pressed and re-issued in conjunction with trax records.

as bass culture proudly reaches its 40th release, it gives us great pleasure to welcome back john jastszebski after he last turned out an ep for us back in 2012. releases for phonogramme and robsoul in the past two years have confirmed that he is a force to be reckoned with in the booming parisian house and techno scene. his approach on the would be back e.p fits in perfectly with the bass culture aesthetic, delivering tracks with a simple immediacy, always loaded with soul in just the right places, but never shirking the all-important groove. > would be back< s sturdy beat leads neatly up to a colourful burst of piano chords and rousing strings that make this into a perfect summer house cut. > fevrier< comes on with an entirely different season in mind, as mysterious and dubby tendrils of synths and samples unfurl around each other with a distinctly wintry mood. > my girl< meanwhile keeps the energy levels up with a stripped back, punchy beat, filling the space in the mix out with rousing pads that soothe and uplift.for a remix of > would be back<, we decided to turn to a long-time legend of the uk house scene, nail. his remix takes a more emotive approach to johns original, dropping in some playful synth lines and dreamy effects with stunning results. reaching across all seasons, situations and times of day and night, the would be back e.p delivers just the kind of versatile house music that sets our souls alight here at bass culture

the raw ten is a collaboration between pittsburgh track authority and nic offer of !!!. *funny thing* is the first release by raw ten, a brand new collaboration uniting pittsburgh and new york city for maximum dancefloor devastation. following the path laid down by inner city so many years ago, *funny thing* is a vocal techno beast ready to do damage in the sets of deejays from deep underground all the way up to more mainstream. everyone will be vibing together in dance thanks to the soulful vocals of lou tanning alongside classic techno chords, but with banging drums and production values that could only come from today. in case the original wasnt enough, detroits church boy lou was enlisted for the remix, and it is a dubbed out jacking monster itself. jams as distinctive as these deserve to be treated right, so each one gets a full side 45 rpm cut from one of americas best dance music mastering engineers, dietrich shoenemann. the original full-color sleeve artwork is done by up-and-coming pittsburgh artist julie mallis.

this is the second episode of d.a.n.c.e. (detector for advanced neutron capture experiments), an overview on the introspective side of dance, composed of six various artists releases. on a side fernandez manetta with a big room, fat, acidic techno track. on b side synthek shows his classy and deep vision of techno, fabrizio lapiana proposes a cut with a prevailing bass-line and metallic percussion.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
not one to overstate the obvious, the disco scene is fairly obsessed with the cosmos. whiskey disco #31, offers four more reasons to space dance! hristo sets course for the stars with x-otic love, an unhinged and epic ride from funky start to euphoric end. next up is enigmatic editor, satisfaction, love & passions edit, dance (dance, dance), a cut sent to us under the veil of night with no return address. for the return, we cruise towards home with detroits rising star, pontchartrain as he guides us through some lesser known italo-influenced, synth heavy and floor packing reworks, be my lover + dance with me.

die serie der greensleeves lp-wiederveröffentlichungen geht weiter: hier ist das album des sängers linval thomspon aus dem jahre 1983 im originalartwork. *baby father* wurde mit den roots radics und dem bläsersatz bestehend aus dean fraser und nambo robinson im channel one studio aufgenommen. am mischpult saßen dabei soldgie hamilton und der sänger als produzent in eigenregie. linval thompson (geboren als phillip alphonso im jahr 1954) hatte seinen ersten karrierehöhepunkt mit dem kultalbum *dont cut off your dreadlocks* im jahre 1976 für bunny lee. zu diesem zeitpunkt hatte er bereits das studium zum toningenieur in new york abgeschlossen und später begann eine erfolgreiche produzentenkarriere, u.a. dennis brown, cornell campbell, the wailing souls, barrington levy, eek-a-mouse, sowie die zwei scientist alben *meets the space invaders* und *encounters pac man*.

the loose control band are dj spun and jonah sharp. if you know, you know. if you dont - google that shit! first in a string of killer releases on golf channel, singlehandedly spearheading the breakbeat revival while simultaneously tunnelling deep into the underground for a sublime a side house cut golf channel every time!

the infamous grey secret squirrel has landed and is ready to take over the woods. yet more nuts stuff for clubs from the anonymous rework maestros. cut loud and built for maximum club use. dance floor devastation is guaranteed!

the return on bosconi of the wonderkids from firenze sud, herva and dukwa (aka marco d aquino) as life s track, consists in a explosive blend of pure freestyle ghetto goodness!! four burning tracks dense of special effects, sound manipulations through tape distortions and pyrotechnic structures: a side starts with the funky builder it fell down, a full on, rough and raw ultra filtered disco house dancefloor anthem in the vein of a more warped and f**ked up bangalter or shake shakir, while on the second cut there s the aggressive and drunk ghetto blaster of come on, on b side instead you ll find the breathtaking groove from the driving acid techno bossa of -rescue me- and the electro breaks from lost cassettes of the melancholic and dreamy closing ep lullaby -sometimes theycome back-..

kowtons reimagining of paul woolfords classic cut sees the light of day on wax. swivelling outside and in, popping upside and around the coveted bristol producer behind livity sound leaves an indellible mark on a notorious tune. includes both beatdown and beatless versions.

70% deal - his 3rd shows why he is coming up, w/good diversity. idee fixe, a very smooth dance cut w/piano chords that carry the tune, strong percussion + moving bass. chili cheese fries follows with an underground sound & a real detroit feel.

great 80s electro - funk - disco feeling !

three emotionally driven club tracks straight from the heart of untzz regulars, mic mills, furious frank & bessie. channeling a once prominent adelaide/detroit connection in various forms, mfb present a record fusing golden era techno and electro updated for the modern sound system. freddie norwood lends his trademark burliness to the final cut of one eight four, an epic journey weaving euphoric arpeggios and big bollocks into one tidy parcel. unlike previous releases from the label, one eight four sees untzz twelve inch really find its stride and has struck gold with this record that showcases a glowing adelaide culture. all tracks were recorded and mixed at one eight four, an institution of hedonist lifestyle in adelaide.

ptakis tunes soar wide-winged like their translation (bird) infers. with a breakout single under their belts on the very polish cut-outs krystina and a swirling vapour of mystique surrounding them, the duo present their first full 12 inch of original material which is both contemplative and transfixing. the kalina ep on young adults recordings clocks in around 25 minutes, but the ground it covers cannot be clearly conveyed through conventional cartography - a birdseye view of jagged cliffs, coastal haze, rolling bagpipe hillsides, and smoke signals.

it s only so long before liam geddes becomes a name you ll start hearing on the worldwide underground stage. having already churned out a number of uncompromisingly deep house tracks over the past couple of years, he comes armed with another exceptional ep on mil - the third release on the new music is love sister label - that further demonstrates his genuine dynamism as a producer. the with closed eyes ep should win this very talented producer the recognition his fresh beat work deserves into the wild gets proceedings underway, a ripping bassline paves out over rattling percussion shakes while oscillating dream like jingles play out during the course of the track. chopped vocal samples are introduced and tease against the shuffling drums which elevates the track with real drive and groove. close ya eyes for the journey packs the same layer of heat with its similarly groove-heavy bassline - a staple of geddes well-crafted sound. firmly footed, intermittent chimes seep into the track and are complemented by siren-like chords which grow truer in presence, until a hypnotic vocal snippet fulfils the deep terrains of the track. a saint is a tumultuous techno-fused roller with it s rip-roaring bassline and percussive loops which rhythmically swing out over shuddering pads, sustained chords and a cut up female vocal, brining a twist of colour to the arrangements of the track. there s a keen sense of tension and release, elevating this above your average and confirms geddes does depth and darkness with real conviction. broke will surely prove a high point for any decent dj set, and sounds like a cut you d expect from someone like delano smith. strings faintly play out over looped key chimes and a funk-like riff, while ticking hi-hats and a careful use of vocal sample gives the track extra heat, each element powered by the rumbling bassline.

welcome aboard transatlantyk! get to know a new label from a man who brought polish music back to the international spotlight. transatlantyk is a new project from zambon, the boss of the famous the very polish cut-outs, the home of diverse edits of forgotten and obscure tracks from poland’s past. this new undertaking is devoted to releasing original material from new, exciting producers from all over world. the first offering in the series showcases a young, promising polish producer naphta.

revno return and how! the mysterious gino fontaine is unmasked - a nom de plume for non other than the chicken lipped, emperor machinist himself, andy meecham time and again he has proved his mettle, and it is safe to say this is an absolute killer, with esteemed gentleman of dance music, bill brewster having already picked up on lead cut *revnorev* for his acclaimed after dark (nightshift) compilation and quite right too, if you can find a better example of an anthemic light / dark chug-fest, we would be happy to hear it! the mix featured here is an exclusive version for this 12 inch alone! scorching bass pulses and atmospherics, powered by synthesized drums finally give way to a cool chicy guitar line and ymo style top lines for an epic space-disco finale… konkondo graces the flip, and could easily be a mysterious early 80’s cosmic holy grail with its gentle wave washes gradually unfurling into an mesmerising roland bassline and back again. a stunning release then, limited and lovely as ever - dont sleep !

the new single cut from the latest kza album dig&edit 2 (endless flight cd 12) comes with remixes from the hottest japanese artist cos/mes and the mighty eddie c.

combining their influences of dance music, techno, ebm, industrial and post-punk, silent servant and broken english club offer a new breed of ebm infused techno wave on the violence and divinity ep. limited edition vinyl pressing of 999 copies, first 500 are pressed on black inside milky clear vinyl, housed in a matte printed sleeve

liverpool-based producer bantam lions has long been part of the scenery records family, helping label boss asok launch the imprint with 2012s one to one ep. here he returns with his third 12 inch for the label. lead cut *recollections* is particularly good, delivering a deep and attractive fusion of fuzzy analogue warm, dreamy melodies and intoxicating chords. he ups the tempo further on *many years later*. which layers dubbed-out chords and swirling textures over an energy-packed techno groove. the accompanying remixes are pretty tasty, too, with the cyclist particularly impressing with his detroit techno-goes-lo-fi interpretation of *recollections*. that said, the dreamy, new age-influenced downtempo take from mood hut regular cloudface is pretty darn good, too.

fear of flying kick off the new year with the next instalment in their vinyl only series, enlisting the talents of matthew burton & kate rathod. ‘cyberg’ has an atmosphere so thick you can cut it with a knife, a vocoded vocal and haunting pads imbuing the track with a distinct 4am feel. ‘mr magpie’ ups the ante slightly with swung percussion and fx. the lofty kick drum and twinkling synths of ‘8 minute abs’ and the subtle deep houser ’hammer top logo feature on the b side. part 1 of 2.

a fantastic vinyl version of craig richards outstanding get lost mixed album, featuring some gems from craigs record bag. each cut is a killer, from the classic deep house by black rascals and backroom productions, the stupendous humphries dub of 2 house and superb dutch house monster this side u. also featured are tougher cuts by kenny larkin, stl and steve bug as well, alexander robotnicks great remix of trans mania, ruf dugs ode to ron hardy, patrice scotts sublime remix of raiders of the lost arp, parallax corporations disco tined ‘anti social tendencies and craigs own ‘sleeping rough production from his own great imprint: the nothing special. a great compilation of some superb records!

a sublime three tracker that continues endless short history of releasing music that encapsulates an otherworldly beauty. the title track is a smooth deep dancefloor cut driven by a catchy chord pattern and crisp beats, while >vabene< encapsulates a rare exquisiteness with its chugging bassline and evocative melodic keys and already has a special place in clubbers’ hearts and minds after it was the opening track of lucas lauded set at sunday debauchery in nyc in june – a set he rates at the finest of the year so far. the ep is rounded out with the outstanding >la valse de la pertinence< that’s led by a call-and-response dual bass and key melody that drives the cut, making it simultaneously groove-ridden and sublime and spacey.

second of three samplers celebrating mood ii swing s seminal original tracks and dubs from nyc s finest king street sounds. contains their seminal cut closer (vocal + dub), lip stick bitch & heart attack track.

clone royal oak series with its 24th release! and this time its canadian gingy with vocals by singer starving yet full. rapt is an amazing vocal tune that doesnt follow the color by numbers dogmas. 2nd track is the equally exiting instrumental cut named vscus with abrasive lead synth twisting and turning over haunting strings and shimmering hihats in the best detroit tradition. serge & tyrell team up for a remix version of rapt. they deliver a straight forward, no nonsense powerful dub mix!

joel hood makes escapist friday night music heard through the haze of a foggy monday morning. the north yorkshiremans music transports you straight out of a cold working town and drops you into a hazy world of intercontinental sonic voyaging, taking in fragments of family holidays and adult travel adventures cut and pasted into instrumentals that evoke dj shadow, twin peaks and the avalanches stargazing in the middle of nowhere, with hoods voice weaving between it all. already profiled by the guardian and music week plus picking up support from rob da bank and bbc6music, his debut ep for international feel features four tracks of psychedelic fusion carrying hints of 80s nostalgia amidst hedonistic futurism.
pressing on 180 gram vinyl.